Phenomenal On So Many Levels

I’m sharing this Amazon.com review of Skin Deep here because I felt the reader really connected with the characters and really understood the plot of the novel and the part melanin plays in it:

Wow! This was an awesome read. It was recommended by a book club, so this was my first time reading any of Ms. Cross’ work. And may I say that I have TRULY been missing out. Skin Deep was absolutely PHENOMENAL. No doubt. Period. The story was well crafted. The characters were well-developed. There is symbolism galore, as well as drama and suspense. (With a HUGE twist at the end! I never saw that coming.)

Nina was a complex character, with an interesting perspective on things. She was a beautiful, strong-willed, well-educated woman who came from a strong support system. Her “cross to bear” (if you call it that) is that in addition to her flawless beauty, she is a very fair skinned Black woman with blue eyes. Nina is aware of the special treatment and privileges she receives because of her fair skin, blue eyes, beautiful hair and body, etc. So much so, that she strives for equal opportunities and treatment for herself and others. Her father is a famous African-American musician. But her biological mother, who she knows is white, is a huge secret. A secret that she has spent years trying to find out about; even though she has a wonderful relationship with her Mama who raised her.

While on her crusade for equal minority relations and a MLK holiday at the college campus where she teaches and volunteers, she meets an interesting man named Ahmed and his beautiful daughter, Ebony. She is intrigued by Ahmed, who is totally rude and obnoxious towards her. And she instantly bonds with Ebony- who is desperate for stability and unconditional love, attention and guidance from a woman. The only problem is that Ahmed loathes Nina and what he feels that she is and she represents.

I won’t give away anything additional, because I want you to read the book and follow their journey yourself. As other reviews have said, this is a complex but beautiful story. Even though Ms. Cross wrote it many years ago, I believe that the themes and sub-plots are still prevalent today. Outstanding job Ms. Cross! (It was so good that I purchased her second book before I was half way finished with this one.)

Here’s Why I Love Kola Boof

“I wish, so much, that I hadn’t stayed with the bodies over night. Because that is how I received my imagination…I could hear their blood going into the earth…And I know TOO MUCH.” -Kola Boof

Whenever I think of Kola Boof, I see an image of Naima Bint Harith, a little girl with gorgeous deep brown skin, a sweet smile and shining eyes, who, at age six, witnessed the murder of her parents.

Naima’s father, Harith Bin Farouk (a light-skinned Arab/Egyptian) and her mother, Jiddi (a blue-black Gisi-Waaq Oromo from Somalia) were both slaughtered in retaliation for Harith’s “crime” of speaking out against the enslavement of the charcoal-skinned Sudanese by the lighter-skinned Arab ruling class.

During the first night of her new life as an orphan, Naima’s innocence was dyed blood red as she spent the dark hours before dawn lying alone and traumatized with her parents’ lifeless bodies.

Within days of the murder, Naima’s Egyptian grandmother informed her orphaned grandchild—the only living child of Harith and Jiddi—that her skin was too dark for her to be welcomed into their light-skinned family. Little Naima was put up for adoption.

When I think of Kola Boof, I think of that little girl who should have been happily skipping along the banks of the Nile with her parents, but, who was instead violently and callously flung into a war against white supremacy that no human being should have to (but every human being should be willing to) fight.

It is not lost on me that had Naima’s father been unconcerned and complacent in the face of the injustice he saw, he would still be alive. Her abandonment and suffering are born of his sacrifice. Our complacency is a twisting knife.

If you don’t know who Kola Boof is, I’m going to have to let you Google her, because trying to sum up this writer/activist’s life and work in a few paragraphs is an impossible task.

Suffice it to say that the Sudan-born, D.C.-raised author of “Diary of a Lost Girl,” “Long Train to the Redeeming Sin,” and “The Sexy Part of the Bible,” writes edgy, thought-provoking, paradigm-shifting literary prose (and, at times, vicious, profane, irreverent twitter rants) that have led journalists, fans and haters to variously label her “genius,” “disturbed,” “talented,” “polarizing,” “brave,” “racist,” and, increasingly, among her hundreds of blocked haters on Twitter, “crazy black bitch.”

Though Boof can at times be found at the center of distracting social media hurricanes (like the recent drama in which she boasted about regularly sexing Djimon Honsou during his marriage to Kimora Lee Simmons), her impassioned and important message is that the earth’s dark-skinned black woman is systematically disrespected, hated, insulted and erased by those who, influenced by white supremacy, cannot or will not recognize her black beauty and her intrinsic perfection as a creation of God.

It astounds me that anyone disagrees with that message, as it is quite apparent that in every country or culture on this planet that is heavily influenced by European values, dark-skinned women with black-African hair and features are rarely held up (for its sons and daughters to look to) as models of what is beautiful, marriageable, or worthy of admiration.

Don’t even get me started on the American entertainment industry and its proliferation of images that relegate dark-skinned women to the roles of maid, mammy, slave or sex worker. But it’s not just the media that is guilty. Too many young dark-skinned girls are tormented by their family members and bullied from toddlerhood, with the terms “African,” “dark” and “nappy” being viciously hurled at them like profane weapons.

Insult is added to this injury when darker-skinned black women are uninvited or invisible in situations where light-skinned or biracial black women (whose physical features are closer to the “white ideal” of beauty) are welcomed to show off their “black” beauty. If you need an example of this blatant disregard for the plentifully pigmented sisters among us, click here, or here, or here, or here, or here.

It also astounds me that so many lighter-skinned people who profess to be about “erasing racism,” “honoring diversity” and “building unity” are so resistant to understanding Kola’s life experiences or at least listening with an open mind to her observations about the annihilation-by-rejection and psychic injury dark-skinned women are being subjected to around the world.

I get that folks are turned off by Boof’s caustic delivery and her irreverence-bordering-on-hatred for some of the world’s most revered institutions (such as Christianity and Islam). I get that people are offended by the sweeping negative generalizations she makes about the inhabitants of entire countries (especially since she so deeply and righteously resents the negative generalizations made about black women). I get that people are shocked and repulsed by Kola’s disregard for what she sees as repressive and oppressive Western moral codes.

What I don’t get is how there is this loooooong line of individuals ready to invest their energy in attacking Kola for her lifestyle, her opinions and her temper, yet there are so few champions who are willing to speak up about the HUMAN RIGHT so many black girls have been denied—the right to be seen, to be admired, to be protected and to be cherished.

I admit I am frequently appalled at the words Kola Boof uses to voice her rage against her detractors—especially the vitriol she reserves for black American men (whose psychic injury she acknowledges, but cannot forgive); but even when she is at her angriest, my gut feeling about this sister is that she created “Kola Boof” to be the warrior she needed but didn’t have on the day her parents died–a ferocious defender who should have been there to protect little Naima—the generous, intelligent, soft-hearted, world-embracing spirit that lives inside Kola.

Given the mountainous struggles that little girl faced (severe trauma, several abandonments by parental figures, adapting to American culture, learning English, rejecting colorism…) it makes perfect sense to me that her alter-ego Kola would (on the surface, at least) be so FIERCE.

Anyone who knows even a little bit about the Post Traumatic Stress Disorder a severe childhood trauma creates, knows that one of its key components is an easily triggered and exaggerated fight or flight response. It is an extremely difficult to control SURVIVAL response that has nothing to with intelligence or morals or wisdom.

Among the many symptoms PTSD sufferers deal with are:

Physical ailments with no apparent physical cause
Sleeplessness
Fear for their safety; always feeling on guard
Feelings of shame, despair, or hopelessness.
Difficulty controlling emotions.
Impulsive or self-destructive behavior.
Changed beliefs or changed personality traits.

I don’t know Kola personally and I don’t know the degree to which any or all of these symptoms affect her life, but her writings, her online presence and her tweets seem to indicate that there is much residual injury that she lives with daily. If she is suffering from PTSD, I see no reason why her life’s work to restore THE ORIGINAL AFRICAN WOMAN to her rightful pedestal of dignity and respect should be diminished by it.

“I am a very SAD, broken, damaged human being…And I live, literally, by the grace of GOD. The pain in my vagina I have spoken of…but rarely the pain in my brain and my heart.

My teeth and my bones hurt me like headaches, because I am so broken and damaged EMOTIONALLY.

People read my books and ask, “How can you write like that?” It’s because I live in constant emotional “psychotic” pain.

Don’t they understand that I saw my parents killed in front of me? Do they think a child can EVER grow up and get over that?

And now I wish, so much, that I hadn’t stayed with the bodies over night. Because that is how I received my imagination. From that night, when I could hear their blood going into the earth. I suddenly had an “imagination”. And it’s very…

And I know TOO MUCH.

Much of the vicious attacking you see me do…is mainly to make people AWARE of the rage and bitterness that they create in the world…simply by accepting the world the way it is.

That’s why I tell people…don’t accept it…REBEL.

Because although it’s too late for Naima…it’s not too late for the daughters of the future.

When YOU SEE me hurt someone, strike at someone…I’m just trying to set a new example for the MULES of the world….that we mustn’t go down without loud screaming and fighting.

…I don’t see myself living that long, and I just want to give…as an artist….what the people NEED.

And I pray for my sons to be OK. I know I’ve taught them how to make generations and where inside themselves to find answers and to find me.” -Kola

Although I have never met Ms. Boof, I interacted with her online many years ago and did speak to her once on the telephone after she wrote an amazing poem for me entitled “Angels and Insects” which she posted at the African American Literary Book Club (AALBC) discussion board where she and I crossed paths.

An inter racially married white woman on that discussion board who called herself, “Moon,” had become the target of Kola’s rage when (among other things) she refused to acknowledge that white and light-skinned privilege exists at the expense of black women. Kola was trying to get Moon to realize that privilege and injustice are inseparable and that her white privilege had a cost that she simply chose not to acknowledge (which is another privilege).

Moon was the source of much conflict on that board because she was a white visitor to a black online forum who was always in “teach” mode, and she did not seem to respect the opinions of the black women whose life experiences differed so greatly from hers. Moon was convinced that simply by mothering her mixed children and teaching them that love sees no color she was actively promoting the unity of the human family. “I don’t walk in brown skin,” she wrote, “I can sure teach children about love.”

Being the product of an interracial union myself, I joined the debate. (Forgive the use of CAPS; it was an intense conversation):

“Your children deserve more than your LOVE. They deserve to LEARN what it means to live in a society that will try to convince them they are BETTER because they came from YOU. Who is going to WORK DAILY and DILIGENTLY to undermine that lie in your household?

I am not a hater, Moon. I KNOW in my SOUL that all human beings are ONE CREATION, and these designations of racial categories are not REAL. But that does not mean human beings are not behaving as though they [the labels] are real. WE are all affected by our socializations regarding race, skin color, hair texture, innate intelligence, morality, etc. etc. etc.

You cannot toss me indescriminately onto the heap of black women who you consider jealous of you and your husband, or simply hate your whiteness. My mother is white and my father is black and I can speak on the subject of white privelege personally, because having white skin and blue eyes I am treated with UNEARNED deference just about everywhere I go.

One of the few places my physical appearance is not automatically “respected” is in the company of black women I don’t know. That is when I humbly SHUT MY MOUTH AND LISTEN so that I can LEARN more about what it means to be a black woman in America — and thereby understand more clearly what it means to be a member of the human family.

I don’t agree with everything Kola says, but I don’t take what she says personally either. I know she is “FIGHTING for her life…” Her fight to lift up black women does not diminish me….WHAT are YOU fighting for MOON? The rights of all humans, regardless of skin color, to love and intermarry? That right already EXISTS. As you said earlier, your life is proof of that.

Show me proof that Kola’s BLACK SONS are held in HIGH REGARD by this supremacist society. She is fighting for THEM, MOON. And for EVERY BLACK BABY who will be shown and told (maybe by YOUR children) that they are NOT PERFECT EXACTLY AS THEY WERE CREATED. They will be told that if their father had lain with a Scandinavian or an Asian or a Mexican or ANYTHING but their AFRICAN MOTHER they would be more beautiful or smarter or healthier or… (you know the list you’ve heard it many times).”

Kola’s response to my post was immediate, and, I believe, sincere.

…I have never denied that I have many prejudices against Bi-racial people and white people—despite that fact that I am, technically, Bi-racial and that my White Arab birth father was a great, great man who dedicated his life to the dismantling of “White Supremacy”. He called it “the world’s only true religion”.

But my “prejudice” against Bi-racials and Whites is not what I…..REALLY…..feel when I’m alone, topless in the mountain streams praying. I feel LOVE for those people—only I keep it a secret, because I fear they are against me and my sons.

It seems there are two realities co-existing within this daughter of a slain freedom fighter. There is Kola Boof, the consummate REBEL whose words and actions are symbols of her RESISTANCE to being controlled, ignored or annihilated by the spirit of white supremacy that destroyed her family and threatens her progeny.

And then, there is Naima Bint Harith whose broken heart did not lose its capacity to love us all.

I wrote and posted this short poem on the AALBC discussion boards eight years ago. It still reflects why I love her:

Naima peels back her own skin
with life-sharpened nails
and we peer inside

inside her

and exclaim,

see, a huge heart
oh, and innards
soft, open, vulnerable

and in her exposure
we are exposed
safe, selfish, cowardly

and still
she names us
sister

Click here to read “Angels & Insects” by Kola Boof.

Joshua Bennett’s ’10 Things I Want to Say to a Black Woman’ — To Click or Not to Click?

Spoken word artist Joshua Bennett has ten things he wants to say to a black woman, and I’m not sure I want to hear it.

I’ve happened upon Bennett’s YouTube video and I see that hundreds of thousands of viewers have already clicked “play.”

I’m curious.

And dubious.

Haven’t I seen more than enough of these user-submitted monologues and their hurtful diatribe masquerading as “advice” on how black women can become less flawed?

Yes, I’m defensive, despite the fact that whatever Bennett’s message is, it is probably not directed at me.

As a “mixed” woman who did not inherit my black father’s genetic code for brown skin, I exist in a narrow category of African Americans for whom the “racial” identifier “black” is hesitantly (at times begrudgingly) applied. Despite my stubborn insistence on claiming my “blackness,” the truth is, I have walked through life experiencing the privileges white skin affords one in America. Privileges I am acutely aware of due to my proximity to brown-skinned family and friends whose social interactions differ so greatly from mine.

I’m sure there are some privileges I’m clueless about because they are conferred when I’m not paying attention to how brown I am not.

But sometimes I am paying attention.

Like recently when I sat with two four-year-old brown girls to watch Disney’s latest princess movie, Tangled. And, no, this won’t be a rant about popular culture’s preoccupation with the pretty white girl and her extra-long glistening blonde hair. I can discuss that image with my girls, no problem. I can confirm to my little ones that Rapunzel is bright, brave and beautiful under her blonde tresses, and in the next breath I will rave about how smart, sweet and stunning my girls are beneath their brunette twists and braids.

As a mother of four brown-skinned daughters, I have become quite adept at explaining how the Creator made us all with varied skin tones and physical features that are a perfect reflection of the Universe’s awesome diversity. In our discussions, brunette does not trump blonde. Long and straight isn’t more perfect than tightly kinked. Vanilla is delicious. Chocolate is delectable. It’s all good. It’s all beautiful. 

I can do that conversation. No sweat.

But there are times when the Media are so blatant and brutal in their bias against black women that it knocks me back a few paces and I have to regroup.

Like when Psychology Today publishes “scientific” findings on why black women are the least attractive on earth.

Or when the Los Angeles Times Magazine honors the 50 Most Beautiful Women in Film, and omits stunning black women who apparently are too brown to be visible.

Or when filmmaker George Lucas spends his own money to make an amazing film about the black Tuskegee airmen of WWII, omits the black wives, and focuses instead on a love story featuring a Portuguese woman. (By the way, George, there were Tuskeegee Airwomen, too.)

With the exception of a rare few (most of whom are very light skinned), black women are not celebrated in mainstream American culture, or held up as role models for American children to cherish, respect and emulate.

Having said that…

We are twenty minutes into Tangled, these two little brown girls and I, and we are getting to know and love this feisty Rapunzel, and we are celebrating her escape from the tower, and she is led by prince-to-be Flynn Rider into a dark den of disgusting, mean , lawless outcasts, and…

Disney flings this dagger at my little loves:

Flynn Rider: You smell that? Take a deep breath through the nose. (He inhales.) Really let that seep in. What are you getting? Because to me, that’s part man-smell, and the other part is really bad man-smell. I don’t know why, but overall it just smells like the color brown.

Really, Disney?

There wasn’t one human being among the hundreds who worked on this picture who read/saw that scene and said something like,

“Um, won’t there be little brown children watching this? Won’t this movie be around, like, forever, and should we equate the skin color of millions of children who will watch this with ‘really bad man smell’?”

blink

Seriously?

And, what might this moment have to do with white privilege?

Everything.

It has everything to do with having the privilege (or not having it) of raising daughters in a society where their skin color will be publicly celebrated. Where it will be held up as something beautiful and worthy of admiration and protection. Where it will not be referred to, even indirectly, as something really bad smelling.

Before you watch Joshua Bennett’s poem, watch this excerpt from Kiri Davis’s brilliant film A Girl Like Me, and ask yourself what is going on in the heart and soul of this little girl at marker 1:27. What messages has she already received about being a black girl, and from where are they coming? Who will counter those messages with beautiful truth? 

I must admit, when I clicked on Bennett’s YouTube video, “10 Things I Want to Say to a Black Woman,” I steeled myself for what I suspected would be another disgruntled man giving “advice” to black women on how to be less “angry” and more “lovable.”

Not even close.

Mexicans Recreate ‘Black Doll-White Doll’ Experiment to Measure Skin Color Preference South of the Border

In an attempt to measure the degree to which Mexican children are affected by the legacy of European colonialism and the present day images they are bombarded with via the media, researchers in Mexico conducted an experiment modeled after the famous 1940’s Clark study that was designed to measure skin color preference in black American children.

Mexico’s National Council to Prevent Discrimination, or CONAPRED, are circulating a video in which children who are mestizos, or half-Spanish, half-Indian, are asked to pick  the “good doll,” and the doll that most resembles them. The children, mostly brown-skinned, almost uniformly say the white doll was “better” or was most like them.

“Which doll is the good doll?” a woman’s voice asks one child.

“I am not afraid of whites,” he responds, pointing to the white doll. “I have more trust.”

Mexicans who viewed the video online said that they were disturbed but not surprised by the results.

Some comments on the video have noted that the options were “very limiting” in that the children were offered only black and white, or good and bad as choices.

“It is a poorly formulated question, it is pretentious,” one viewer said on the website VivirMexico.

Others say the study reveals a deep-seated prejudice that is taught to Mexican children from an early age.

Wilner Metelus, a sociology professor and leader of a committee advocating for Afro-Mexicans and black immigrants, said the doll video shows the prevalence of racism and the need to educate young people.

“The Mexican state still does not officially recognize Afro-Mexicans. There are few texts that talk about the presence of Africans in Mexico,” Metelus said. “We need a project in the schools to show that the dark children are just the same as them, as the lighter children. And not only in schools; it is also necessary in Mexican families.”

Luz Maria Martinez, a leading anthropologist on Afro-Mexican culture, said, “We do not know how to value the indigenous culture, which is very rich, or the African culture, which is as great as any in the world.”

by Kathleen Cross for rollingout.com

Dove Body Wash Will Turn Brown Women White!

So, several bloggers around the web have been commenting on this Dove VisibleCare body wash advertisement, saying it appears to them to be (unintentionally) racist.

*Blink*

Um.

I don’t think I’m gonna hop on that band wagon.

It seems pretty clear to me that the before and after panels are intended to represent two pics of the same person’s skin before and after they used the product. If I had to guess at the ethnicity of that person, I’d say they were white (or very light skinned). There’s no way that pinky-beigey “before” panel is meant to represent the beautiful brown sista pictured on the left.

I get the point that they positioned the white woman on the far right, and English-trained reading brains ingest visual cues from left to right, leading some to translate that as black to white. But, I can’t help but wonder if they would have positioned the white woman on the left, would we be talking about what hidden message there is in putting her first, (thereby ranking the two brown women second and third by default?) Or, in avoiding either of those issues, they could have just put the white woman in the middle…

Not. (Please. Remember how much flack Beyoncé got for always being the “center” of attention in Destiny’s Child?)

So, Dove, I’m thinking maybe you were just between a rock and a hard place on this one.

:/

Here are a few comments I found on the web regarding this nontroversy:

While I suspect there was no ill-intent, the subtle message that perfect (white) skin is the ultimate goal of using Dove offends me. This message is inconsistent with your stated goals regarding self esteem. I will not be using Dove until I know you have recalled this ad and will ask my friends to take the same action. –From CourtneyLuv.com

“Visibly more beautiful skin.” Bye-bye black skin, hello white skin! (Scrub hard!) Can this ad possibly be real? Some people think it is! We’ve emailed Dove’s representatives for confirmation, and we’ll update with their reply. If real, this could be the most (unintentionally) racist skin care product ad in… about ten months. –From Gawker.com

Dove body wash turns Black Women into Latino Women into White Women.  At least, that’s what one could possibly infer by the left-to-right before and after progression in this ad for Dove VisibleCare. This is so stupid, I’m thinking it’s got to be a fake Photoshop ad. –From copyranter

Gawker.com did get a response from Dove:

“We believe that real beauty comes in many shapes, sizes, colors and ages and are committed to featuring realistic and attainable images of beauty in all our advertising. We are also dedicated to educating and encouraging all women and girls to build a positive relationship with beauty, to help raise self-esteem and to enable them to realize their full potential.

The ad is intended to illustrate the benefits of using Dove VisibleCare Body Wash, by making skin visibly more beautiful in just one week. All three women are intended to demonstrate the “after” product benefit. We do not condone any activity or imagery that intentionally insults any audience.”

If someone perceives this ad as racist and or hurtful, I definitely don’t intend to dismiss their gut response, but I can’t help but wonder if crying foul on something like this distracts from efforts to address real instances of racism and colorism in the media.