Know Good White People: Wrestling the term ‘White Pride’ Out of the Hands of the Klan

Jean Rankin was a wife and mother of thirteen children living in a modest home overlooking the Ohio river in what was the “free state” of Ohio. Through her window she could see a clear and gorgeous view of Kentucky, where thousands of enslaved African Americans lived under the cruel system of American chattel slavery.

For forty years, leading up to the Civil War and the abolition of slavery, Jean and her husband John opened their home to offer food, lodging and directions further north to nearly 2000 fugitive slaves seeking freedom.

As a mother, and as an American woman who descended from enslaved Africans, I am awed and humbled by this family. When I think about putting my own freedom and my own children’s lives at risk to serve others, it is a frightening, daunting idea.

While researching this subject of whtie anti-racists in American history, I am finding hundreds of stories of courageous and inspiring people like the Rankins who have been left out of mainstream hero worship. I hope you will agree that it is time to remedy that omission. These are amazing American heroes our children should know about.

Know Good White People: Wrestling the term ‘White Pride’ Out of the Hands of the Klan is an homage to anti-racist white Americans whose lives embodied the ideals of “freedom and justice for all” that our forefathers prescribed at the birth of this nation. Why have they been excluded from our national memory? What has their absence done to our collective psyche in terms of race relations?

The idea for this project came, in part, from an article I read about a young girl named Lisa McClelland who tried to start a “Caucasian Club” at her high school. Long story short—for her own safety, she eventually had to change schools.

Prior to her exile to another campus, the 15-year-old insisted her proposed club would be “a positive organization dedicated to honoring diversity” and a place to learn more about what it means to be white.

Amid the firestorm of controversy Lisa sparked, a KKK representative welcomed her to join their group, and the local NAACP spokesman slammed her idea, calling it racist in name, if not intent. He said,

“When we use the word ‘white’ or ‘Caucasian,’ it has always been associated with racial bigotry. Using that term opens up old wounds…”

What message is sent to young people with the omission of white anti-racist heroes from our national history? White Americans will not (should not?) bother themselves with issues of racial justice?

Are Will and Jada Pimping the Mini-Mes?

How stupid unobservant am I? (Rhetorical question. Don’t answer that.) Um, yeah, so I just (like, just this minute while writing this piece) figured out that Jaden and Willow smith’s given names are tributes to their parents. Will/Willow. Jaden/Jada.

Duh.

Okay. I know. It’s pretty damn obvious. But, whatever. I feel a wee bit smarter now that I figured that out.

:/

(Anyone out there who didn’t get the Smith’s naming strategy until just now, please do leave a comment admitting it–it’ll help soothe my bruised ego.)

Anywaaaay, I said all that to introduce the fact that Jaden and Willow were both nominated for this year’s NAACP Image Awards–Jaden, for his starring role in the remake of The Karate Kid, and Willow for her hit single, Whip My Hair.

For these two cuties to have been raised by “Hollywood” parents with a combined net worth somewhere in the quarter of a billion dollar range, they seem relatively grounded and down-to-earth. (Though I do think Willow has the potential to get full of herself if her mama doesn’t rein in her little ego right quick.) Love you, Willow…but I’m just sayin’.

Jada and Will have gotten quite a bit of Internet flack recently for supposedly “pimping” their kids, and “depriving them of their childhoods,” but I don’t see any evidence of that here at all. These little Smiths are truly talented, and they seem to really love what they’re doing. And, why wouldn’t they? Though they do have to work hard and put in long hours to achieve the success they’ve enjoyed so far, they also have that huge and powerful SMITH MACHINE behind them, which has to make the whole experience that much sweeter.

Though they barely have 20 years on earth between them, both Smith kids seem to “get it” that they are privileged to have the parents they do, and they understand that most of the world doesn’t have they advantages they were born with. Their parents have done an excellent job of instilling this in them from a young age–not just by setting an example of what philanthropy and concern for community look like in action, but also by encouraging their children to become actively involved in charitable causes themselves.

Jaden and Willow have lent their names, images and time to Project Zambi, which supports children orphaned by AIDS in Africa,and Buy Life which provides medicine, food and shelter to millions of people affected by HIV/AIDS in Africa and India.

If you’re wondering what the criteria for winning an NAACP Image Award are, read on:

1. Fair, Accurate, and Inclusive Representations Rather than portraying people of color in broad stereotypes, the project deals with the characters or themes in a fair, accurate, and multi-dimensional manner. Inclusive means that a broad spectrum of people of color is represented. This includes economic, geographic, and political diversity, as well as seniors, differently abled, youth, families, etc.
2. Boldness and Originality The project breaks new ground by exploring subject matter relevant to people of color in a way not traditionally explored, and handles the content in a fresh and original manner. Is this project “cutting-edge?”
3. Impact The project impacts society in a significant way. Does this project dramatically increase the cultural dialogue about issues that pertain to people of color? Or, does this project reach an idea that is not regularly exposed with regard to images and issues pertaining to people of color?
4. Overall Quality The overall quality of the project should be considered. A project which is of high quality production value adds impact, significance, and weight to the images and issues portrayed.

If my little daughter wanted to put a poster of either or both of these kids up on her bedroom wall, I would allow it. I think they stand for something positive, and so far their images are definitely uplifting and admirable.

I hope they both win.

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