Remember that great song by Beyoncé that hit the charts last year and quickly became our favorite girl power anthem?
“Who run the world? Girls? Who run this mutha? Girls…”
Well, Amber recorded a YouTube video calling Mrs. Carter out on this blatant untruth, and I think everyone should definitely watch it before they vote in November. (If you agree after seeing the video, please share this post.)
Not that Amber’s YouTube video is, like, at the intellectual level of a presidential debate or anything (<-best read with sarcasm, thank you) but here is a snippet of the kinds of thought-provoking arguments young Amber makes to counter Bey’s questionable claim.
Beyoncé: “Make your check, come at they neck.”
Amber: “Indeed, make your check, but be aware that your check is going to be significantly smaller than your male counterpart’s.”
Beyoncé: “Some of them men think they freak this like we do, but no, they don’t.
Amber: “I actually agree with you on this one, Beyoncé. Men certainly do not freak this the way our culture demands that women do. Men aren’t objectified in the same way or to the same magnitude as women are–if at all.
Beyoncé: “Disrespect us? No, they won’t.”
Amber: “Yes, they will. And they do. Often. I’d like to defer to a very famous doctor on this subject–Dr. Dre…” (She proceeds to quote Dre, which you really must see for yourself to fully appreciate.)
I don’t know about you, but I would pay big bucks to see Amber debate Mitt Binders-Full-of-Women Romney.
Can we say pay-per-view!?
Note: For those of us who have danced around the kitchen with the kids and cracked our smartphone screens from excessive jubilance while under the influence of said song, Amber has included this disclaimer to accompany her video:
“It’s a song. I get it. It’s just a song…This video is not about Beyoncé. It’s not even really about this song. My point is NOT that she shouldn’t have made this song because of X, Y, and Z. My point IS: Oh, Look! X, Y, and Z exist and this song is a great tie-in to a discussion of feminism. If you’ve watched some of my other videos, you would be able to sense the sarcastic tone. Relax.”‘
If you are a serious aficionado of “conscious” hip hop music, you are no doubt familiar with the name Kumasi Simmons, a.k.a., Kumaserati, a gifted hood-born poet with a unique flow that has attracted souls from as close as Brooklyn and Compton to as far as Paris, Jakarta, Tunisia and Ghana.
Kumasi has collaborated with some of the most creative and prolific artists in popular music, including Kanye West, Adam Levine, Mos Def, Malik Yusef and The Game.
When The Game heard Kumasi’s soul-stirring flow, he welcomed him to the Black Wall Street label as “Kumaserati,” BWS’s sole “conscious” contributor. After recording curse-free, drug-free, woman-respecting songs under the Black Wall Street flag, in May, 2012, Kumasi independently released a 27-track hood gospel project entitled Soul Music.
Soul Music is a majestic offering of uplifting, inspiring and cautionary songs with titles like Same Soul (f. Tara Ellis), Change (f. Mos Def), Highway to Hades, Promised Land (f. Kanye West and Malik Yusef), Be Kind to Your Mother, and, my personal favorite, Amazing Grace.
As if Kumasi wasn’t busy enough in the studio making his Soul Music dream a reality, last year this Compton, Cali native was sponsored by the U. S. State Department to travel the world as a cultural attaché, visiting developing democracies in Indonesia and Africa, where young, mostly Muslim, citizens are both curious and dubious about American culture and freedom of expression.
Kumasi performed with fellow Muslim artists via the group Remarkable Current in an unprecedented cultural exchange program through which they delivered messages of peace and brotherhood across barriers of language and ideology. For more information about this project, visit remarkablecurrent.com .
The video below (f. Kumasi), paying homage to Tunisian revolutionary hero Mohamed Bouazizi, is an example of the incredible creativity and passion hip hop music lends to messages of freedom and calls for progress around the world. Is it just me, or is this track SICK? And by sick, I mean AMAZING.
I recently caught up with this self-described “servant of God,” to find out what motivates him musically, what’s keeping him busy now and where he is headed next.
KC: When you released your first album, Change Gon’ Come, you used your given name, Kumasi. Now you have adopted this new moniker, Kumaserati. What’s the story behind this name change?
Kumaserati is an alias that was created to help young people remember my name. Kumasi is the name of a city in Ghana, and until I can popularize that name as an artist, I want to help people find me and find my music. I want to leave a positive impression on impressionable young people who will respond to that name because it is associated with something they value. A Maserati is a vehicle. Kumasi is a servant. Kumaserati is a servant of God first and foremost. The way that I serve may require different strategies.
Speaking of strategies, I understand you’ve joined a music group called Kaj (www.thekaj.com). What is Kaj and how is it different from the music of Kumaserati?
The Kaj is another strategy for Kumasi to exist in service to God. The word Kaj is a combination of the names of its members, Kumasi, Anas and Joel. We came together to do a project that is soulful and that is inspired by people that inspire soul music–like Curtis Mayfield. Like The Ojays. The Kaj is using the language and diction and the integrity of those times with the sound of today.
It seems to me there’s this gap in music today where some of us feel we really have to look and listen hard to find contemporary music that is still soulful or soul-filled. It sounds like this group is the perfect fit for us.
We weren’t really trying to specifically fill any void. We were just trying to make music that we like and that people like. Our intention is to create music that is about love, and is also correct towards women. Theres’ a song about domestic violence. There’s a song called The Sounds of Making Love.
Is there a percentage of The Kaj’s sound or style that you would call hip hop, or is it a departure from your hip hop roots?
That’s an excellent question. The attempt here is to be intelligent and at the same time be cognizant of using simple yet meaningful words. You won’t hear us saying words like “swag.” You might hear words like “darling” and “delectable.” The word choices are deliberate. Our music is supposed to make you feel happy and make you feel like you want to make love to your woman and retain the respect due to women.
On your new album, Soul Music, you included a track called “99 names of God.” Tell me three of those names that are embodied in your music.
“Sublime. Gracious. Mighty.”
How did an artist so focused on heavenly goals, end up at Black Wall Street with The Game?
He really wanted a conscious artist on his label. My affiliation with Black Wall Street provides an opportunity to broaden my reach as an artist. I will always have love for The Game for opening that door for me.
What is one quality of The Game that would surprise people?
People might be surprised that he has a great sense of humor. People may be surprised that he’s a family man. People may be surprised that he’s a man who is striving to be a better man and a better person. You might be surprised to know that he is in tune with his Creator.
You have collaborated with some heavyweights in the industry. Who would you like to work with that you haven’t yet?
I love Jamie Foxx as a person and Pharrell as well. After meeting and vibing with them, I would love to work with them. Also Will.i.am. I admire his creativity. Cee-lo is really gifted and down to earth–really for the people. I would love to work with him. Of course, Tupac, when he comes back.
Thank you for that awesome segue to my next question. If you died and God sent you back here as a woman. What would your mission be?
To be an example of class. An example of motherhood. We need more examples of strong women who are powerful generals who have command. A powerful woman doesn’t want a man with a nice vehicle with nice rims. She cares for her people. She cares to improve lifestyles besides her own. Some women believe that sex is their power. Their body is their power. But that is not the extent of a woman’s power by any means. If more women could set powerful examples, young women in our culture would create better humans.
Speaking of women and how we are perceived, in hip hop culture certain women are afforded a measure of respect and others are not. You were involved in a controversy in which you came to the defense of Kat Stacks, a self-described “hoe.” What made you think Kat Stacks deserved to be defended when she attracted so much drama and negative attention through her own actions?
When you meet a man in the hospital or grocery store that man is your brother. If that man is white or that man is black that man is your brother. If that man is Chinese that’s your Chinese brother. Whatever mind state a woman is in and whatever decisions she’s making that may be wrong, whether its to use drugs or to sell her body, that woman was born a princess. On earth we are all family members. Once you have that outlook, you can act accordingly. When it comes to a person like Kat Stacks you wish better for her. You don’t have rancor in your heart, you realize that that is a woman who was created by God and you have to respect that. He gave her lungs and eyes and she was not a mistake. She is a creation of God. How does God feel about that which God creates? If we ask ourselves that question we may find ourselves being careful to not dishonor that which God created, even if that creation has not begun to honor themselves.
You recently traveled on behalf of the United States as a cultural ambassador where you addressed thousands of young men and women whose impressions of of this country were deeply and positively impacted. Is this a new direction for Kumasi? How does civil service fit in to your goals?
This was another opportunity to serve God. I’m not into politics. I’m into people. I’m into peace. I was able to be peaceful with the people of Indonesia. I was also able to go to northern Africa. I did a song with El General (Hamada Ben Amor), the young rap artist who got locked up for speaking out against the president of Tunisia. Last year, Time magazine named this young rapper one of the one hundred most influential people in the world.
It’s important to create alliances everywhere you go. In Paris I was able to do this. In Africa. Eventually if your voice becomes big enough you can invite people to hold hands. I’m very grateful for the opportunity.
What can we look forward to next from Kumaserati?
I am currently in the conception stage of a project that will ultimately bear magnificent fruit. I am collaborating with two women whom I deeply respect and admire, not only for their amazing talents, but for their pure intentions to help heal people’s pain and to serve the human family.
Myself, Hope Shorter and Tilly Key, along with producer Christian Shorter, are putting together a project that, in spirit, will be like having Lauryn Hill, Sade and Bob Marley collaborating to serve. I”m not trying to equate us talent-wise, though the talent here is crazy, but spirit-wise the intention is that huge.
The project is called “Child of The World,” and it will be geared toward educating young people about nutrition, healthy lifestyles and philanthropy via a series of non-profit concerts in major urban areas like downtown L.A., Chicago and NYC. We will bring music, message, and meals to the streets with the sole purpose of connecting to and serving our fellow man.
Anyone who knows me knows that I believe that the dream world is much more than an odd vacation spot our brain visits as it recharges for another day. Indeed, some of my most life-altering experiences have occurred in that other world, and many of my ideas about God, the afterlife and the soul are heavily influenced by what I’ve encountered while my body and mind were “sleeping” and my soul was “dreaming.”
As a result of the visits and messages I’ve received from deceased loved ones over the years, and because of many ecstatic (miraculous) dream experiences I can’t explain (and find it difficult to describe in earthly terms), I’ve come to believe that, not only do we exist after “death,” our souls retain a powerful spiritual connection to this life.
No offense intended to anyone’s religious beliefs, or lack thereof, but the idea that the “dead” are “resting in peace” and have lost their ability to positively influence our hearts and our choices makes no sense to me.
I recently posted a story in which I shared about losing my fiance who died trying to save a drowning friend. Tomorrow is the tenth anniversary of Todd’s death and I seriously considered writing about the many metaphysical experiences I have had with his soul — but I decided not to because I didn’t want to open to possible ridicule the experiences and insights that are so precious and meaningful to me.
Which brings me to my dream last night about “GranGran Dolly,” Rihanna’s beloved grandmother who recently passed away from cancer.
I should say that in real life I did not know Dolly, nor have I met or spoken to Rihanna, but I have been really hard on Rihanna verbally over the last few years, and have described her variously as “irresponsible,” “immature,” “out there” and a “terrible role model” for the millions of young girls who idolize her.
I have felt more recently that she seems lost, sad and lonely, and I have brazenly said that to folks whenever the subject of the young superstar has come up in conversation. Suffice it to say that my tone and attitude have been less than generous, and my thoughts and comments about her could definitely be described as “judgmental.”
Last night I got what I can only describe as a powerful paradigm shift via GranGran Dolly, who apparently doesn’t play when it comes to her baby girl.
I dreamed it was the Fourth of July and I was at a gathering (felt like a family reunion maybe) where Rihanna was in attendance. I walked up to introduce myself to her, and I’m not sure how to explain this, but I felt like I was meeting, not the “persona” that is Rihanna, or even the “human” that is Robyn Fenty, but the Soul behind all of that.
I reached to shake her hand, but she didn’t shake mine. Instead, she placed the palm of her hand against my face and looked in my eyes. She never said a word, but I felt in the dream like the entity looking at me was made of “Pure Joy” and “Pure Love.”
I turned to my left to see a woman (mid-30ish?) standing near Rihanna and beaming with obvious love for her. I immediately thought it was her sister because she physically resembled her, though she had much darker skin. In the dream I was thinking, I know Rihianna has a brother, but I didn’t think she had a sister.
The “sister” didn’t speak aloud, but (telepathically?) let me know Rihanna was the essence of “precious” and “pure” and that she was only only only made of Love.
I hadn’t planned to write about this today, but it’s been weighing so heavily on my mind that I finally tweeted about it:
What I did not know at the time I posted that, was that Rihanna had just tweeted this:
And then I saw this photo she tweeted:
I am 100% sure that woman standing there with Rihanna is an older version of the loving “sister” that visited me last night in my dream.
In the scheme of things, I’m not sure what any of this means to anyone else, but because I experienced it personally, it has very deep meaning for me.
For me it is a lesson in not judging the journey of others or assuming we know what they are made of.
♥♥♥ Michael Jackson died on June 25th, 2009, but not before gifting the world with his amazing talent–and not before he faded before our eyes into a white-skinned man.
Today, as Katherine Jackson is mourning the absence of her incredibly gifted son, I find myself thinking of Trayvon Martin’s mother, who will never know what contribution her young son might have made to the world because a paranoid neighborhood watchman judged Trayvon guilty of simply “walking while black.”
Though their lives may seem to have little in common, both of these American sons were born with brown skin–and both suffered the undeserved consequences of living in a society in which brownness is so often misjudged, disrespected and devalued.
“Your proclamation promised me free liberty, now
I’m tired of bein’ the victim of shame
They’re throwing me in a class with a bad name
I can’t believe this is the land from which I came”
-Michael Jackson, They Don’t Care About Us
Though we have made many strides in race relations over the decades, this deeply-ingrained fear/loathing of brown skin in America leads many to wonder if the King of Pop would have risen to such heights if he had remained brown. Sadly, it seemed as though the whiter Michael’s skin became, the more the world loved him. Some even forgot he was ever a black man.
Whether due to a medical condition or by his own intention, Michael escaped his God-given brownness, while Trayvon was made a target by it through the eyes of an overzealous gunman who saw that brown skin and interpreted it as a threat.
Michael once sang,
“Before you judge me, try hard to love me. Look within your heart then ask, Have you seen my childhood?…the painful youth I’ve had…”
Director Lee Daniels (Precious) is receiving strong criticism for his latest film, “The Paperboy,” which was mostly panned at the Cannes Film Festival this year and called “outrageous,” “unintentionally funny” and “campy.”
However, at least one fan of the film thought its leading lady, Nicole Kidman, kicked some thespian a-double-s in her raw portrayal of a “white trash slut.”
Michelle Rodriguez told Vulture.com that she believes Kidman should be nominated for an Oscar for her work in The Paperboy, but likely won’t because she’s white. Speaking about a specific scene in the film where Kidman urinates on Zac Efron and orgasms, the “Lost” actress said:
“I f—g loved it. One of my friends said, ‘She’s going to get nominated for an Oscar for that.’ I was like, ‘Nah, man. She’s not black!’ I laugh, but it’s also very sad. It makes me want to cry. But I really believe. You have to be trashy and black to get nominated. You can’t just be trashy.”
You have to be trashy and black to get an Oscar nomination?
This is bothering me on so many levels. Not because a non-black actor doesn’t have the right to her view on how Oscar decisions are made or her opinions about how black actors get noticed by the Academy…
I’m bothered because despite the certainty with which she proclaimed her belief,” she’s wrong…
Off the top of my head I can think of several “white trash” roles that have garnered Academy nominations, among them, Charlize Theron for “Monster” (2003), Melissa Leo for “Frozen River” (2008), Jennifer Lawrence for “Winter’s Bone” (2010), and Rooney Mara for “The Girl with the Dragon Tattoo” (2011). With a little research I found Sharon Stone, Elizabeth Shue, Meryl Streep, Glenn Close, Kathy Bates, Anjelica Huston… the list goes on and on of white Oscar nominees who’ve played whores, alcoholics, stalkers, abused girlfriends, etc.. And, that list doesn’t even include the best supporting nominees or the countless white men who’ve acted lowdown, dirty, and/or freaky on the big screen.
Given the reality that the Academy actually has no problem including white people in “trashy” roles on their list to receive what is widely recognized as the highest thespian award on earth, I’m wondering if what Michelle was alluding to is the widely-held perception that black actors are more likely to be honored for work in which they play a “trashy” character.
Also not correct.
I’ll admit that back in 2001 I was among those who hated the fact that Denzel and Halle both won Oscars playing characters who scraped the bottom of the morality barrel. But, as much as I have little confidence in the Academy’s ability to recognize the “best” onscreen performances (of any ethnicity), regarding this particular issue of “required trashiness” for black actors, it should be noted that historically, the ratio of black nominees in “trashy” roles to those playing heroes (or just regular folks) is actually quite low.
Prior to the year 2000, of the 16 Academy nominations for lead actor and actress, only Laurence Fishburne’s portrayal of abusive husband Ike Turner in the film “What’s Love Got To Do With It” could be categorized as “trashy.”
Here is a list of the best (black) actor/actress in a leading role nominations for the last ten years:
President of South Africa
The Last King of Scotland
The Pursuit of Happyness
Hustle & Flow
Pimp / Rapper
Executed Prisoner’s Widow
Here are the supporting actor/actress nominees:
Hostage Cab Driver
Million Dollar Baby
Neighbor w/ AIDS
Corrupt Jail Matron
I’m DEFINITELY not suggesting that the Academy of Motion Pictures Arts and Sciences has been generous, fair or impartial to black actors over the years, but numerically speaking, Oscar nominations for “anti-hero” roles do not outnumber morally neutral or heroic roles.
Michelle Rodriguez really needs to check her stereotypes and her facts before she stands on the backs of black actors to defend a white actress’s “right” to be nominated by the Academy for a “trashy” role.
On “The Island,” physics and facts may have been easily contorted and controlled, but this ain’t “Lost,” Michelle, and in the real world “really believing” something that has no basis in fact doesn’t make it true
♥ I love how writer/producer Shonda Rhimes (Grey’s Anatomy, Private Practice) created a television drama in which the lead character could have been portrayed by a bold, brilliant, beautiful woman of any ethnicity, and ABC cast a black woman in that role (first time in 38 years a black actress has been the lead in a network TV series), and viewers eagerly embraced it.
♥ I love how every one of the supporting characters in this show is a multi-dimensional combination of qualities that make them fascinating and fabulously flawed. And we’re just getting to know them. (That First Lady is a piece of work! And Cyrus? Complex and riveting.)
♥ I love how Olivia Pope’s core mission is to do good in the world–and how interesting it is to watch her try to maintain that mission in her, ahem, “complicated” line of work.
♥ I love how Olivia Pope & Associates and the “scandal-neutralizing” work they do, ensures, as a plot-driver, that the show’s writers have an amazing vehicle for creativity, variety and diversity whose wheels will never fall off.
♥ I love that the show is based on a real-life black woman, Judy Smith, who worked as a press aide in the Bush administration and left the White House to run her own successful crisis management firm. So, no, you cannot write the Scandal concept off as “unrealistic” if it doesn’t quite mesh with your preconceived notions about who can and cannot guide and advise the White House.
♥ I love how Kerry Washington’s complexion is outing these critics who characterize a black Olivia Pope as a “post-racial fantasy” (Emily Nussbaum, The New Yorker) while they drool unabashedly over the racially homogeneous new HBO “Girls” like it is the cultural second coming of the equally homogeneous “Friends.”
♥ I love how some folks are oddly “disturbed” by this TV rarity —that is— a bright, beautiful, brown-skinned female boss who inspires admiration and loyalty in everyone who knows her, yet whose ethnicity isn’t a focus in the show. (No, this ain’t “Get Christie Love,” and nobody’s going to call Olivia Pope the “N” word, folks–get over it.) Shonda is career savvy like that.
And if one more blogger disrespects the REAL LIFE POWERLESSNESS of 13-year-old Sally Hemmings at the hands of Thomas Jefferson by comparing that child’s plight to this FICTIONAL, grown, free, educated, voting, wage-earning black woman who can drive her luxury car out of the White House gates and never look back if she so chooses–I think I will puke.
I’m not all that thrilled with the adulterous love triangle of FLOTUS, POTUS and Pope, but it definitely does add a layer of complexity to each episode, and also helps bring Olivia down from her “not normal” pedestal where we can more clearly view her as the human being she is. Regardless of how you view the married President’s pursuit of Olivia as his “soul mate” and “the love of his life,” that story line is definitely in perfect alignment with the title of the show.
“I hope that Olivia Pope being a lead of a television series and being smart and vulnerable and the most desirable woman in any room that she walks into changes something for someone in the way they perceive women of color. But I also hope that people watch it and find it to be good entertainment.” – Shonda Rhimes
Good entertainment is exactly what I find Scandal to be.